Four tips for doing the formal, group shots at your wedding

The survival of the group shot in the age of wedding photojournalism is a remarkable thing. One of the first things couples stress in our preliminary meeting is that they want their wedding photographer to focus on candids and avoid anything that feels staged or formal. And yet when we start talking about the wedding day agenda, the first question that arises is when to shoot the formal shots — or the group shots — of family members and wedding parties.

There’s good reason for this beyond the tug of tradition. Weddings are one of the few occasions in life when the immediate and extended family gets together, and some family members may have flown across the country to attend your wedding. If you rely too heavily on candids, it’s unlikely that you’re going to get a shot of everyone together in one frame. Group shots, as stagey as they can be, are still the best way to make sure you’ve got shots of your loved ones.

Here are a few brief tips to help you get the group shots done with the least amount of stress and the most efficiency. In the coming weeks I’ll elaborate more on these tips.

Do the group shots before the wedding ceremony.

Group shots can take an hour or more to complete, and you certainly don’t want to keep your guests waiting for you for an hour after the ceremony, no matter how much they’re enjoying their appetizers and drinks.

Make a list of the different combinations of people you want in the formal shots.

This is important. The wedding photographer doesn’t know your family. The photographer doesn’t know their names or their relationships. You want your photographer to devote his or her time to making photographs, not trying to figure out who’s who in the family. Making a list guarantees that you have all the different combinations groupings that you want.

Give the list to someone who can take command and call out the names for the different groupings.

This gives the photographer even more opportunity to focus on taking photographs. Give this job to the wedding coordinator if you’re working with one. If not, give it to a friend. Just make sure the friend is a bit of an extrovert and has no reservations about taking command and calling out the groups.

Get the group shots finished at least a half hour before the ceremony.

This gives you time to breathe and collect your thoughts before the ceremony. Also, you don’t want to be out there doing your group shots as the guests begin arriving. The first time they should see you is when you walk down the aisle.


My favorite props: umbrellas

When I’m planning to shoot a portrait, among the first questions I ask is whether the model has a prop they can bring to the shoot — something they have an emotional attachment to, that they feel comfortable with, and that helps express who they are and what their interests are.

Props are an invaluable tool for photographers. They relax the model by giving them something to do with their hands, something to think about instead of the camera’s relentless gaze.

So here’s the first of a series of posts on my favorite props. And this first post is devoted to umbrellas.

Umbrellas are a wonderful multi-purpose prop. Umbrellas can:

  • Shade the model’s face from the glaring sun.
  • Give the model something to do with their hands.
  • Provide an interesting compositional feature:

  • A colorful umbrella also makes a wonderful backgrounds for a silhouette. As you can tell, this red Japanese umbrella is part of my kit bag.

 

engagement session, photography, couple

  • Finally, an umbrella can serve well for its original intended purpose: protect from the rain — always a handy prop in the Pacific Northwest: